A post a day?

I use my iPhone’s Notes app pretty religiously. Here’s a screen shot:

IMG_2338

So, this awkward little snapshot into my thought processes is embarrassing. But the one post a day idea I jotted down on March 11 came back up on April 1st, when I was listening to the first conversation Seth Godin and Tim Ferris had, back in early 2016.

Seth said, “The first thing I would say is everyone should blog, even if it’s not under their own name, every single day. If you are in public making predictions and noticing things, your life gets better.

Because you will find a discipline that can’t help but benefit you. If you want to do it in a diary, that’s fine. But the problem with diaries is because they’re private, you can start hiding. In public, in this blog, there it is. Six weeks ago you said this; 12 weeks ago you said that. Are you able, every day, to say one thing that’s new that you’re willing to stand behind? I think that’s just a huge, wonderful practice.”

Now, will I post every day? Who knows. But will I try? You betcha!

Journaling

First things first. I love journals. Have since at least 1990. I had just turned 7, and what I had asked for from my dad was a notebook/journal. I know this because I still have it. (Somewhere, possibly in storage. I swear I’ve seen it recently…) It is a faded green color, with an image of rough seas. A sail boat rides the swells. I can’t recall what the style of the picture is named, but you’d know it if you saw it.

From that point on, I’ve always written stuff. Nothing coherent. A few short stories, maybe a hundred or so poems. But, I jot notes down all the time. Song lyrics. Words I want to know more about, or topics. Quotes that inspire, motivate, or enlighten me.

I heard that Charles Dickens burned his notebooks and letters annually. I wonder what is lost or gained when we let go of those thoughts written down for later investigation.

Aug-Dec 2018 Reading Lists

Quick note: Though this had started as a monthly posting, I’ve found the longer I waited the harder it got. My intention for the coming year is to post this monthly. So, good luck me!

Books Bought:

  • The Eye Never Sleeps: Striking to the Heart of Zen – Dennis Genpo Merzel 
  • Business Model Generation: A Handbook for Visionaries, Game Changers, and Challengers – Alexander Osterwalder & Yves Pigneur
  • Essays and Lectures – Ralph Waldo Emerson
  • The Crystal Shard – R.A. Salvatore
  • Streams of Silver – R.A. Salvatore
  • The Halfling’s Gem – R.A. Salvatore
  • The Legacy – R.A. Salvatore
  • Starless Night – R.A. Salvatore
  • Siege of Darkness – R.A. Salvatore
  • Passage to Dawn – R.A. Salvatore
  • The Silent Blade – R.A. Salvatore
  • The Worm Ouroboros – Eric  Rücker Eddison
  • The Singular & Extraordinary Tale of Mirror & Goliath – Ishbelle Bee
  • Spring – Karl Ove Knausgaard
  • The Adventure Zone: Here There Be Gerblins – Clint, Griffin, Justin & Travis McElroy
  • The Name of the Wind – Patrick Rothfuss
  • Enlightened Vagabond: The Life and Teaching of Patrul Rinpoche – Matthieu Ricard
  • The California Field Atlas – Obi Kaufmann
  • Dungeons & Dragons Waterdeep: Dragon Heist – Wizards of the Coast
  • Dungeons & Dragons Players’ Handbook – Wizards of the Coast
  • Monster Cinema: Quick Takes – Barry Keith Grant
  • James Thurber: Writings & Drawings – James Thurber (Library of America Edition)
  • Wilderness Essays – John Muir
  • Light the Dark: Writers on Creativity, Inspiration, and the Artistic Process – Edited by Joe Fassler
  • Robin – Dave Itzkoff
  • Tools of the Titans – Tim Ferriss
  • The Laws Guide to Nature Drawing and Journaling – John Muir Laws
  • Portrait of the Artist as a Young Dog – Dylan Thomas
  • Inside Charlie’s Chocolate Factory: The Complete Story of Willy Wonka, The Golden Ticket, and Ronald Dahl’s Most Famous Creation – Lucy Mangan

Books Read:

  • Sojourn – R.A. Salvatore
  • The Crystal Shard – R.A. Salvatore
  • Streams of Silver – R.A. Salvatore
  • The Halfling’s Gem – R.A. Salvatore
  • The Legacy – R.A. Salvatore
  • Starless Night – R.A. Salvatore
  • Siege of Darkness – R.A. Salvatore
  • Passage to Dawn – R.A. Salvatore
  • Little Women: The Musical – Libretto by Allan Knee, Lyrics by Mindi Dickstein, and music by Jason Howland
  • Getting Things Done – David Allen (unfinished)
  • Start with Why – Simon Sinek
  • The Art of Community: Seven Principles for Belonging – Charles Vogl
  • Influence – Robert B. Cialdini (unfinished)
  • Tribe of Mentors – Timothy Ferriss (unfinished)
  • The Collected Letters of Alan Watts – Edited by Joan Watts & Anne Watts (resumed)
  • How to Watch a Movie – David Thomson (unfinished)
  • Light the Dark: Writers on Creativity, Inspiration, and the Artistic Process – Edited by Joe Fassler (unfinished)

This will inevitably be a long, and somewhat frightening list. Admitting to the sheer numbers of books bought, attempted, settled into, or set down… It’s like the first step is admitting that there is a problem.

However, I have a love affair with books and would never admit that these purchases, nor the hours spent sitting, laying, or some manner of status in-between, with a book in my hands would be a problem. Mark Cuban is said to read three hours per day. Bill Gates plows through 50 books in a year. Though I don’t know off-hand how many I’ve read this year, I could look back through these posts and find out. (Looks to be 28. Okay, 2019 – Let’s aim for 30 books.)

Amid two productions that I was involved with (one a full-blown musical, the other a small, variety, Christmas cabaret); a week in Costa Rica; two bouts of illness (the first being a cold, and the second some sort of respiratory infection): work engagements, including two other productions, both running four weeks; a second job; a burgeoning Dungeons & Dragons campaign; and familial obligations for the holidays, I managed to put down a decent number of pages.

I’ve made a large chunk in RA Salvatore’s Drizzt saga – books 4-10 mostly in August and September. November, I read two of Patrick Rothfuss’s Kingkiller Saga books: Name of the Wind and Wise Man’s Fear. Wind was released in 2007, and I just purchased the Tenth Anniversary Edition from DAW Books, partly on the recommendation from a bookseller I’ve befriended through a work partnership, but also owing to the glowing review Lin Manuel Miranda gave the book, thoughtfully printed on the back face of the dust jacket.

“No one writes like Pat Rothfuss. Full stop. Read this book.”

It was only after buying the novel (some time later in face, perhaps a month or two) that I heard the first of several recommendations for ir through The Adventure Zone, the McElroy Brothers liveplay podcast on D&D, followed by several romps through other dice-controlled fantasy games.

His novella on Auri (a somewhat minor/important character from the first two books), The Slow Regard of Silent Things, is up next on my Rothfuss reading list.

I tend to bounce around when reading. I’ve fallen in love this year with the language of Sontag and Watts, as well as this past month with the essays of John Muir. I’ve got a shelf with them, also holding Emerson, Thurber, Whitman, Joseph Campbell, Karl One Knausgaard, Neil Gaiman, and Rilke. It’s the fluidity of language, and how words can be used to showcase more than just their definition.

“When I was a boy in Scotland I was fond of everything that was wild, and all my life I’ve been growing fonder and fonder of wild places and wild creatures. Fortunately around my native town of Dunbar, by the stormy North Sea, there was no lack of wildness, though most of the land lay in smooth cultivation, With red-blooded playmates, wild as myself, I loved to wander in the fields to hear the birds sing, and along the seashore to gaze and wonder at the shells and seaweeds, eels and crabs in the pools among the rocks when the tide was low; and best of all to watch the waves in awful storms thundering on the black headlands and craggy ruins of the old Dunbar Castle when the sea and the sky, the waves and the clouds, were mingled together as one. We never thought of playing truant, but after I was five or six years old I ran away to the seashore or the fields most every Saturday, and every day in the school vacations except Sundays, though solemnly warned that I must play at home in the garden and back yard, lest I should learn to think bad thoughts and say bad words. All in vain. In spite of the sure sore punishments that followed like shadows, the natural inherited wildness in our blood ran true on its glorious course as invincible and unstoppable as stars.” John Muir, from The Story of My Boyhood and Youth.

They paint with words, and in the way that I can watch (and listen) to Bob Ross depict happy little trees, so too can I spend hours with these authors – absorbing their words in ways that just reading a sentence (or writing one) cannot accurately describe.

Then, there were the others… David Allen’s seminal work on time management and efficiency is a useful tool. But flowing from line to line it does not. I implemented a couple of his suggestions, but still find my workflow cumbersome. I’ll be resuming that endeavor and attempt to become more productive, now that we’re in 2019.

Sinek has a way of lighting a fire under your ass. “People don’t buy what you do, they buy why you do it. They don’t buy what you do, they buy why you do it.” Great advice. So, what is it you do, and why do you do it? (No, making money doesn’t count.) It’s been a process. I was introduced to Sinek’s work at a nonprofit conference and instantly felt its power. I don’t have a Mac because I think it’s a good computer (though I do). Dell makes a good computer, and I was on PC up until 2006. I buy Apple products because I believe in the image that they project. It’s a creative’s tool – and I learned Photoshop on it, oh, so many years ago.

This holds true for many things that I like to purchase – camping and hiking gear; automobiles; notebooks. Anything I use on a daily basis, or look forward to using in the future.

The books by Ferriss have similar effects, and I love deep diving into his work: books, blog; website; podcast. I don’t know that he has the life I would want, but he’s done a lot of the work that I would also like to do… if that makes sense.

I’m going to gloss over the purchase list. I did buy most of the Drizzt books used from a shop I really like, and several books were digital online items during the Christmas season. Obi Kaufmann’s California Field Atlas is one I’ve wanted since seeing it first released, and I finally picked up a copy. It led me to the Law’s Nature Journaling. Now, I can’t draw. I doodle geometric patterns from time to time, a la Paul Klee. But anything that resembles an actual thing, it’s all wrong. That being said, I thought that I would give it a try. I’ve made a few hikes out through some parks nearby, and started taking photographs and labelling plants for future attempts at watercoloring. We’ll see what happens.

And that’s about it for this. I recommend Rothfuss, Ferriss, Sinek, Muir and Watts highly, if you’re interested in those topics (fantasy, business, nature, and buddhism). Really, nothing up there was something I had to just set down. I fully intend to complete all unfinished books on this list.

Also, gifts of books were made this Christmas, and friends received copies of 4-Hour WorkweekThe Jaws Log, and You are doing a Freaking Great Job. I received the Dark Horse Comics book on Legend of Zelda: Breath of the Wild – Creating a Champion.

I’ll let you know what I read this month sometime in February. Here we go, 2019!

An honest look at 2018

This year, closing out today, has been what I would used to call, “Meh.” There were some ups, some downs, and then the mostly flats.

To the year’s credit, I did have more time on stage; rejoined the nonprofit world; made considerable effort towards getting out of debt (given the state of my student loans, that didn’t look like much – but I made progress nonetheless); worked on relationships with family, friends, and other loved ones; decluttered; and started new endeavors.

On the other side of the ledger, there was an overwhelming feeling of not accomplishing enough. Many of the new endeavors sat unfinished, or abandoned. Some money-making ideas didn’t pan out as hoped, and were laid to the side. A few of my writing projects got pushed to the back burner, and nothing got even close to completion this year.

Som highlights:

  • With my subscription to Movie Pass in 2016, I saw numerous films throughout the year. After changes to its subscription model prevented me from buying several tickets, it was time to cancel though, and I’ve reduced the number of films I see so that I wasn’t spending so much on tickets.
  • I started the year working in telecommunications, and studying basic electric circuit design. I’m ending the year with a primary focus in fundraising and development.
  • In April I purchased my new car, a Toyota RAV4 Adventure Series. There was a notion to buy a small camper, and do some traveling, living and working from wherever I ended up. I haven’t gotten that far yet. To date, I haven’t even had a tow hitch installed.
  • A few shows under my belt – Evita, Oklahoma, and Little Women. I’m enjoying the character work that I’ve been getting, and would like to try my hand on camera again. It’s been many years since doing television work in Ft. Lauderdale.
  • During November my girlfriend and I did make the trip to Costa Rica. This was a quick jaunt, and I would have loved to have seen more. In the summer of 2019 we’ll be heading to Alaska for ten days, so I’m excited for that as well.
  • The remainder of the year was just so-so. Nothing dramatic, nothing earth-shattering (all this being on the personal front). Just a development year. It’s 2019 that promises change. As I said, my focus words for 2019 are Success and Harmony. There are no limits to what those mean, and as the Universe receives my intention, I know it’ll bring it back to me in the auspicious, Universal way.

So, fare thee well 2018. Greetings to a prosperous and healthy 2019.

Happy New Year!

Some time away

Took time away from writing. From reading. Mostly.

Stepped away from commitments, to focus more on myself.

Still not quite there.

Work has been a large part of my time. As has some volunteer activities. Eight weeks devoted to the musical Little Women, followed by three weekends of Jekyll & Hyde the musical.

I’m tired. I feel like I’m not resting enough. And my mind swirls all the time.

Next month I’ll be in Costa Rica for a week. Hopefully that will be enough refreshing time. Either way, it’s time to get back to work.

 

 

 

On frequency

“Frequency makes starting easier. Getting started is always a challenge. It’s hard to start a project from scratch, and it’s also hard each time you re-enter a project after a break. By working every day, you keep your momentum going. You never have time to feel detached from the process. You never forget your place, and you never need to waste time reviewing your work to get back up to speed or reminding yourself what you’ve already done. Because your project is fresh in your mind, it’s easy to pick up where you left off.” – Gretchen Rubin

Where I find myself after every time that I take a break from writing. Blog, journal, whatever. One project I was excited to work on this year was a book on film craft, and I’m six months overdue on the projects I had planned.

I think it’s a common struggle for creatives – the real world difficulties that creep up. And, scope creep. Of life. Saying yes to projects that may hold a small level of interest, but should be said no to so that focus can be given to the truly meaningful tasks.

I’ve improved my “No” skills, but still not to the point that I need them to be. And as long as I fill my time with those “yes” things, I’ll reduce the time I have available for frequency.

Fail better

Hmm… I lost a month. I was cruising along again, then stepped away from the computer. Rip Van Winkled it.

I’m back. I guess I could consider not writing to be a fail. No one is emailing me asking for more posts, so that’s fine though. It’s a personal journey for me. And really, it is all about the journey.

I started keeping a blog for two reasons. One, I like writing. I wanted to get what I had to say out there. It may not be viewed by very many people, and that’s also fine. But it’s me being accountable to myself.

And two, I had a lot to learn to be accountable for. The year of 2016, when I believe I really started blogging, was a struggle for me. I have pulled out of that turmoil, which may be a reason why I’ve been less structured when it comes to posting.

But I still journal most mornings, and these posts are additional. I like the tactile sensation of writing in a book, with pen, in cursive. Someone tried to read a couple lines and called it my ‘old-man writing.” That’s how I feel sometimes – like an old man.

Other times I forget that I’m in my thirties altogether, and behave much younger. Those times are interesting, and I realize that my body bounces back much slower than it used to.

Either way, I’m here posting now. “Ever tried, ever failed” as Beckett says. “No matter. Try again, fail again, fail better.”

 

Surviving an emotional breakdown

It’s been over two years since my engagement ended in unusual fashion. In hindsight, it seems unlikely that the relationship would have lasted, and surprisingly that it did last as long as it had. Roughly three years. Our twelve-year age difference (me being the elder) was likely to difficult to maintain.

Still, the resulting emotional disturbances I face were unexpected and traumatic. And it was only with the most tenuous strings that I was able to hold on to a semblance of life.

In the coming months I’ll write pretty openly about it, and some of the other tragedies that arose previously, including the death of my grandmother which resulted from an automobile collision, the onset of what was diagnosed as an autoimmune disease, and a period of incarceration (though I don’t necessarily view it as tragic).

The difficulty I’ve faced in writing on here has been wanting to be more open, yet still feeling the need to perpetuate the use of a facade. A social mask, pretending to be more well-adjusted, or acceptable, then perhaps I am. But I’m getting nowhere doing that.

That’s my commitment. That I’ll be open and honest on here, as I try to do in everyday life.

Perfection is the enemy

I would like to say that the holiday travel season has kept me from writing as much as I would like.

I would like to say that it’s just been too hectic to sit down and put anything of substance down.

These things and more I would like to say, but the truth is that I’ve just let it slip to the wayside. Partially it’s because I’ve felt that nothing of substance can be written with a time crunch. I would prefer perfection. Even my morning journaling, which I do just for me, not for anyone else’s consumption, I’ve only been doing once a week or so.

The new year has many goals set upon it already, including an increase in my writing output. I’d like to finish one of the books I’ve planned, or at least get a monograph done that’s been sitting in my to-do section for the past eight months.

So as I set aside the yearning for perfection, and look to the new year, I’m ready to make those changes in my life that have been coming since all hell broke loose back in 2016.

Just play

Why have I taken to writing every month that first post about the books I bought and the books I read? It’s a blatant copying of the format Nick Hornby created for his column in The Believer, and I can’t imagine that I could do it better than him. Yet, I still write the post.

the simple fact is, I do it because I’m searching for my voice. It’s a voice that gets stuck inside me. And when it finally comes out as I hear it, I’ll be doing (what I hope will be) wholly original work. Until then, I play. I experiment.

Neil Gaiman has talked extensively on writing, both about his process and on the craft as a whole. One piece of advice that I find particularly pertinent to this post is a response to a Tumblr question: “…try things out. Enjoy yourself. If you find a writer you like, write like them. And then sound like something else. Write anything. Don’t worry about it being good or read by other people. Just play, and play a lot.”

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

-Ira Glass