Good Omens 2

Finished the show last week. Today I may head out to Disney, weather-permitting (and if I’m not too tired).

For Good Omens, I will day it was an enjoyable, albeit somewhat frenetic, watch. I believe the book itself was also frenetic, so it followed right along.

In one of Gaiman’s interviews I recall him saying how much he wanted the show to follow the book, so as to respect the memory of coauthor Terry Pratchett. In that regard, it was a success.

The cast was good, and it was fun. It had a BBC/Doctor Who feel to the film-making and storytelling, right down to the aliens. I’d watch it again, some time down the road.

Ticking by…

I’m watching the days on the calendar just push ahead, much more quickly than I would have liked. Already we’re nearly into June, which will have me off on an Alaskan adventure, followed by more work for the foreseeable future.

I believe that we oftentimes focus so heavily on the day-to-day that we neglect the future. I have a sticky note (lost in repeated shuffles, so it’s time for a new one) which reads, “Will this get me closer to my mountain?”

The concept came from Neil Gaiman’s Make Good Art speech, and it’s a sort of guiding light in my harried, busy lifestyle.

Week’s Highlights

Some of the things that caught my interest this week.

  • Stu Larsen’s “I Will Be Happy“. This may be my new travel anthem for a while. I had listened to George Ezra’s Wanted on Voyage, especially on my last trip to Europe. (Barcelona was a particular favorite.)
  • Fountain Pen usage. After listening to Neil Gaiman’s interview on the Tim Ferriss Show, where he talked about Moleskine and Leuchtturm notebooks, and the fountain pens he uses, I decided to look into breaking out some pens that I’ve had stashed away for quite a while. I usually use Uni-Ball Vision Micro, but I’m always willing to try something new.
  • “How Not to be Boring”. This was an interesting video that I think came to me from one of the few newsletters I didn’t unsubscribe to. There’s a lot going on here, and I think it touches on charisma, introversion, honest and truthful exchanges with others, and self-discovery.
  • Godel, Escher, Bach. This is a book I came to through Seth Godin’s blog some years ago, and I started reading it but never finished. While perusing a used book store a couple of weeks ago I found a well-thumbed copy, and I decided to give it a go. It’s been my go-to nonfiction for the past week, and I’m excited to make a dent in this tome.

Summer Time, and the Books are Easy

July 2018

Books Bought:

  • Principles – Ray Dalio
  • England and Other Stories – Graham Swift
  • The Silver Dream – Michael Reaves & Mallory Reaves
  • The Complete Cold Mountain: Poems of the Legendary Hermit Hanshan – Translated by Kazuaki Tanahashi & Peter Levitt
  • Tribe of Mentors – Timothy Ferriss

Books Read:

  • Later Essays – Susan Sontag (unfinished)
  • The Collected Letters of Alan Watts – Edited by Joan Watts & Anne Watts (unfinished)
  • You Are a Badass – Jen Sincero
  • Homeland – R.A. Salvatore
  • Exile – R.A. Salvatore
  • The Power of Now – Eckart Tolle (unfinished)
  • The Complete Cold Mountain: Poems of the Legendary Hermit Hanshan – Translated by Kazuaki Tanahashi & Peter Levitt (unfinished)
  • Tribe of Mentors – Timothy Ferriss (unfinished)
  • Achieving Excellence in Fund Raising – Hank Rosso (unfinished)
  • Getting Things Done: The Art of Stress-Free Productivity – David Allen (unfinished)

Well here it is. I hope it was worth a few days’ waiting.

Some things continually crept up as the month played out. Ira Glass’s quote on beginning an artistic endeavor:

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Aside from this quote, other recurring elements included: a need to escape to the outdoors – including a trip to an REI Co-op. I had never been. Seeing all three Hotel Transylvania films (and a musical based of Adam Sandler’s 80s extravaganza The Wedding Singer).

Also Dr. Brene Brown, Simon Sinek, and David Allen.

In restructuring my days, I’ve found increased time for reading – actually scheduling in at least an hour of reading daily (with few exceptions). At night I was putting a chapter in (at least) of R.A. Salvatore’s Drizzt Do’Urden saga. The first three books were loaned to me by a friend of mine. We had had an open discussion on Urban Fantasy following my finishing of Arena last month (or the month before).

Another odd thing about me – when I walk into someone’s house, I am drawn to their books. The more books on a shelf, the more intrigued I am by what’s there. I know that I’m not alone in this interest, but it’s also apparent that many people I spend time with don’t have that compulsion. I could literally spend minutes to hours staring at collections of books.

So, when I entered my friend’s house, I found reason to linger in the room with the book shelves, housing Salvatore, Gaiman, Tolkien, and other notable fantasy and science fiction writers. He wholly recommended the Drizzt series, and I told him I’d give it a try.

Homeland was a slow start. I had committed to reading it, but it was a little bit of a drag at first. (Similar to the drag I experienced reading Tolle’s The Power of Now, but I’ll get to that later.)

The origin story of Drizzt Do’Urden began on his birth night, and showed the conniving and cunning nature of the dark elves – of which Drizzt is a noble born son. But as the story progresses, we learn that Drizzt is more kind; more empathetic. That he doesn’t share the bloodlust or the vanity of his kin. And he begins to hate his surroundings more and more, until (and this leads to Exile), he finds refuge without his city. This too proves trying, and with an undead assassin on his tale, he needs all the help he can get.

All in all, Drizzt is a very well-written character, and I received an email from Barnes & Noble stating the new Drizzt trilogy is to start releasing in September. I’ll be reading more of this adventure in the coming months.

Two remanded books purchased this month – England and Silver Dream. I’m still trying to hone in on the short story format, England being just that, but haven’t been able to ready my mind to read a short story collection. Several have been purchased in the past year, including a collection from The Paris Review. I just came across it while boxing some stuff up to take to storage.

I’m currently preparing to move, with all intention of getting into my new place next month, or by October at the latest. We’ll see how all of that plays out, and whether it affects my reading time.

Silver Dream had Neil Gaiman’s name on the top – it seems that he helped with the story of the original book (this one being a sequel). I suppose I’ll have to read the original. So, it goes in a box to move to the next house.

In my spiritual reconciliation, I often find myself quoting the likes of Julia Cameron, Pedram Shojai, and now even Jen Sincero. So as my girlfriend and I were watching the third Hotel Transylvania, there was a scene where Johnny (pictured above), speaks in a very zen way about the flow of the universe. She looks over to me and says, “Look. It’s you.”

In fact, it was indeed a very me thing to say. I’ve been speaking for two years on the essence of flow in the universe, and how our ability to connect to that Source energy allows us the freedom and ability to achieve our goals and desires.

All this to say, I thought Johnny would make a very good featured image for this post. And thus there he is. My animated self. (I’ve also backpacked in Europe twice over the last 30 months, and am planning a Costa Rica trip later this year.)

Spiritually, July didn’t offer me much I suppose. Really, since starting work at the theatre, it seems that much of my free-thinking time is devoted to nonprofit strategies. I’ve broken out the Rosso, a primer on philanthropy, and one that I had to read parts of during my master’s program at SCAD.

I know that I’ve lost track of books as well, and occasionally I’ll come across one that I’ve either read, or purchased, and forgot to add.

I love poetry, and I’m fascinated my Buddhism as well as Asian mysticism. Cold Mountain was a Shambhala publication, and I just had to buy it. I’ve read very little of it so far – again, nonprofits seem to be inhabiting the bulk of my reading capacity – but it’s there on my desk for me to peruse at my leisure.

With all that said, I think that is likely the best representation of reading for last month. Was there more? Maybe. Was it anything I want to talk about? Meh.

I recommend the Drizzt books, as well as Jen Sincero. Tolle’s Power of Now is something that, though beneficial, it’s better to knock it out in one sitting, at least I think. I’ve now started and stopped at least a dozen times. Everything else will need more focus for August.

Just play

Why have I taken to writing every month that first post about the books I bought and the books I read? It’s a blatant copying of the format Nick Hornby created for his column in The Believer, and I can’t imagine that I could do it better than him. Yet, I still write the post.

the simple fact is, I do it because I’m searching for my voice. It’s a voice that gets stuck inside me. And when it finally comes out as I hear it, I’ll be doing (what I hope will be) wholly original work. Until then, I play. I experiment.

Neil Gaiman has talked extensively on writing, both about his process and on the craft as a whole. One piece of advice that I find particularly pertinent to this post is a response to a Tumblr question: “…try things out. Enjoy yourself. If you find a writer you like, write like them. And then sound like something else. Write anything. Don’t worry about it being good or read by other people. Just play, and play a lot.”

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

-Ira Glass