The Amy apologist

Last year I was in a production of Little Women, the musical with book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland, adapted from the novel by Louisa May Alcott. Admittedly, Alcott is an author I’ve never read (with Senior year English Lit possibly being an exception – I don’t recall), though her contemporaries and acquaintances I’m quite fond of – Emerson, Thoreau, and Longfellow. In the show I was Professor Bhaer.

There is a scene in the show where, after feeling left out by her sisters, Amy burns a story that Jo has been working on. Most people feel revulsion at the act, and Amy’s excuse that Jo has everything and she has nothing comes across as spoiled and bratty.

From my view, though, Amy is nearly a middle child, and shows very little talent of her own. The youngest (who later dies from illness) is loved by all and a budding pianist. Jo writes, and Meg is a proclaimed beauty. Amy therefor feels out-of-place in her own family and thus acts out. It isn’t right for her to do so, but it can be understood.

So, I was labelled an Amy apologist and have been trying to defend my stance for nearly a year. Then I saw a production of Little Women: The Musical just last month, and I thought Amy was a complete brat.

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