Studios are businesses

Nearly every project made needs investment. And films made by major studios are expensive.

Studios are businesses.

Businesses tend to be risk averse.

Why are so many studio films derivative? Because the prevailing logic is that those properties have their own audience already, and thus represent less risk.

A hustler’s economy

Yet another thought about money and art.

We’re mostly living in a hustler’s economy. Nearly everyone is hustling to be seen, to make a quick buck, to get shares or mentions, and to be relevant.

This could equate to revenue. But it just as easily could not. More often than not, it doesn’t.

It’s important, now more than ever, to focus on quality and value. Don’t just pitch to the lowest common denominator.

But money…?

Following up on doing the thing, there’s a problem with money, though.

Among the creative, if you need money, creating becomes a byproduct of survival.

This prevents creative freedom, and you’re left hustling to make something sellable. Which is almost never a viable option.

If you’re not free to create, the quality of the creation will suffer

If you can do anything else

There’s an axiom in the theatre – don’t do it unless you can’t do anything else.

It’s believed that there is a lot of struggling to succeed there, so if you have interests outside of it, it’s better to pursue those. If not…

That is to say, if you happen to only have passion for one thing, then then that’s would you should be doing.

Coming back

I didn’t intend to aim for one a day again. But it has happened this past week.

The important thing is to make time for the important things. Don’t get caught up in the concern about its viability.